Double-Edge Dance: Difference between revisions
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The first two hits of the four hit combo are relatively weak and easily [[crouch cancel]]ed by opponents, but they will come out no matter how quickly they are inputted. For the third and fourth hits, the player must wait a few frames between inputs or else the attacks will not come out. The tradeoff for the difficulty in inputting the later hits is significantly higher knockback, which can knock over opponents trying to crouch cancel. | The first two hits of the four hit combo are relatively weak and easily [[crouch cancel]]ed by opponents, but they will come out no matter how quickly they are inputted. For the third and fourth hits, the player must wait a few frames between inputs or else the attacks will not come out. The tradeoff for the difficulty in inputting the later hits is significantly higher knockback, which can knock over opponents trying to crouch cancel. | ||
The third hit of Double-Edge-Dance inputted upwards is a [[meteor smash]], producing a slightly diagonal trajectory if the sourspot doesn't hit. On grounded opponents, it will knock them into the air and set up for the fourth hit. Inputted forwards, the third hit deals excellent knockback and can be used as a [[KO]] move at higher percentages. The third hit inputted downwards produces a [[flame]] effect and can knock over opponents trying to [[crouch cancel]]. Unusually, while the third hit forwards has higher base knockback, its knockback scaling is actually smaller than the Dancing Blade's version, meaning it is overall less powerful at higher percentages, while also being harder to link the fourth hit together with the third hit. | The third hit of Double-Edge-Dance inputted upwards is a [[meteor smash]], producing a slightly diagonal trajectory if the sourspot doesn't hit. On grounded opponents, it will knock them into the air and set up for the fourth hit. Inputted forwards, the third hit deals excellent knockback and can be used as a [[KO]] move at higher percentages. The third hit inputted downwards produces a [[flame]] effect and can knock over opponents trying to [[crouch cancel]]. Unusually, while the third hit forwards has higher base knockback, its knockback scaling is actually smaller than the Dancing Blade's version, meaning it is overall less powerful at higher percentages, while also being harder to link the fourth hit together with the third hit at lower percentages. | ||
With the exception of the downwards input, the final hits of DED deal the most knockback compared to the other hits. The upwards input has high vertical range and high knockback. The down input actually deals multiple hits, and while it deals little knockback, its long range and duration make it effective for [[shield stab]]bing and knocking down opponents attempting to crouch cancel. Compared to the other inputs, the forward one is lackluster, and rarely used. | With the exception of the downwards input, the final hits of DED deal the most knockback compared to the other hits. The upwards input has high vertical range and high knockback. The down input actually deals multiple hits, and while it deals little knockback, its long range and duration make it effective for [[shield stab]]bing and knocking down opponents attempting to crouch cancel. Compared to the other inputs, the forward one is lackluster, and rarely used. | ||
Revision as of 17:40, August 5, 2015
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This article or section is incomplete. You can help SmashWiki by expanding or finishing it. The editor who added this tag elaborates: SSB4 data |
| Double-Edge Dance | |
|---|---|
 Roy performing one of the slashes of the move. | |
| User | Roy |
| Universe | Fire Emblem |
Double-Edge Dance (マーベラスコンビネーション, Marvelous Combination), often abbreviated DED, is Roy's side special move.
It is a variation of Marth's Dancing Blade (with which it shares its Japanese name), and has the same general behavior. However, the third hit inputted downwards and the last hit inputted in any direction deal a fire effect.
In Super Smash Bros. Melee
This move is integral to Roy's metagame due to its range, speed, and KO potential. It is particularly effective for approaching, as the first hit can lead into a down tilt, grab, or the subsequent hits of the attack.
The first two hits of the four hit combo are relatively weak and easily crouch canceled by opponents, but they will come out no matter how quickly they are inputted. For the third and fourth hits, the player must wait a few frames between inputs or else the attacks will not come out. The tradeoff for the difficulty in inputting the later hits is significantly higher knockback, which can knock over opponents trying to crouch cancel.
The third hit of Double-Edge-Dance inputted upwards is a meteor smash, producing a slightly diagonal trajectory if the sourspot doesn't hit. On grounded opponents, it will knock them into the air and set up for the fourth hit. Inputted forwards, the third hit deals excellent knockback and can be used as a KO move at higher percentages. The third hit inputted downwards produces a flame effect and can knock over opponents trying to crouch cancel. Unusually, while the third hit forwards has higher base knockback, its knockback scaling is actually smaller than the Dancing Blade's version, meaning it is overall less powerful at higher percentages, while also being harder to link the fourth hit together with the third hit at lower percentages.
With the exception of the downwards input, the final hits of DED deal the most knockback compared to the other hits. The upwards input has high vertical range and high knockback. The down input actually deals multiple hits, and while it deals little knockback, its long range and duration make it effective for shield stabbing and knocking down opponents attempting to crouch cancel. Compared to the other inputs, the forward one is lackluster, and rarely used.
In Super Smash Bros. 4
Roy again uses the Double Edge Dance in Smash 4, where it has been updated to use Marth's Dancing Blade animations from Brawl and Smash 4; it is one of Roy's only attacks that has not gained an animation update to distinct it from Marth. Its many attacks have gained different attributes when compared to Melee, making its first few hits act similar to Dancing Blade, although the third and final hits have been notably changed.
As with Dancing Blade in Brawl and Smash 4, the first hit stalls Roy's movement in the air for a few frames, although this benefits Roy's recovery less if compared to Marth as he has a higher falling speed. All hits of the attack are now easier to input in a row, making the attack easier to combo. The third hit no longer deals flame damage or does exceptional knockback; this has been moved to the fourth hit, and the third hit makes combos into the fourth hit much easier compared to Melee. The fourth hit, aimed either three directions, now deals flame damage, and the forward slash has enough knockback to reliably KO middleweights at 110% if sweetspotted, making it a quick KO option. Because of the new knockback placements for each attack, Double-Edge Dance is a much more reliable finishing move and combo move in general compared to in Melee due to the third hit's lower knockback, and its speed still makes it an integral part of Roy's moveset (the first hit being faster than the majority of Roy's tilts).
