Super Smash Bros. Melee: Difference between revisions

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==Development==
==Development==
Conceptualization of ''Super Smash Bros. Melee'' began almost immediately after the previous entry released, even before [[Nintendo GameCube]] development kits were widely distributed. [[Masahiro Sakurai]] was quietly tinkering with the design plan mostly by himself with no knowledge of what the final hardware specifications would be. He publicly denied that he was working on a new ''Smash'' title until the 1999 [[Electronic Entertainment Expo]] (E3) event, where he announced he was working on a "Smash game for the GameCube."<ref>{{cite web|url=https://sourcegaming.info/2016/05/01/smashbegins/|title=News Flash! Smash Bros. Dojo: Smash Begins!|publisher=Source Gaming|accessdate=2022-08-22|date=2001-05-17}}</ref> [[HAL Laboratory]] returned as lead developer of ''Melee'', with Sakurai as the head of production. When final GameCube development kits reached the team, they discovered that they were much easier to use then Nintendo 64 kits.<ref name=youtube>{{cite web|last=Sakurai|first=Masahiro|title=Super Smash Bros. Melee [Game Concepts]|url=https://www.youtube.com/watch?v=vLRRNsAVl-8|publisher=YouTube}}</ref> The optical disc format also let the team use streaming playback for the first time, which allowed the use of real musical instrements for music tracks. The final soundtrack ended up using a mix of real music recordings and synthesized instruments, though Sakurai assured that the differences would be nearly unnoticable. These tracks are an inspiration for the founding of the ''{{iw|wikipedia|Press Start: Symphony of Games}}'' concert series, which was an annual orchestral concert hosted by game industry veterans that featured arrangements of video game music that ran from 2006 to 2015.<ref name="youtube"/>
Conceptualization of ''Super Smash Bros. Melee'' began almost immediately after the previous entry released, even before [[Nintendo GameCube]] development kits were widely distributed. [[Masahiro Sakurai]] was quietly tinkering with the design plan mostly by himself with no knowledge of what the final hardware specifications would be. He publicly denied that he was working on a new ''Smash'' title until the 1999 [[Electronic Entertainment Expo]] (E3) event, where he announced he was working on a "Smash game for the GameCube."<ref>{{cite web|url=https://sourcegaming.info/2016/05/01/smashbegins/|title=News Flash! Smash Bros. Dojo: Smash Begins!|publisher=Source Gaming|accessdate=2022-08-22|date=2001-05-17}}</ref> [[HAL Laboratory]] returned as lead developer of ''Melee'', with Sakurai as the head of production. When final GameCube development kits reached the team, they discovered that they were much easier to use then Nintendo 64 kits.<ref name=youtube>{{cite web|last=Sakurai|first=Masahiro|title=Super Smash Bros. Melee [Game Concepts]|url=https://www.youtube.com/watch?v=vLRRNsAVl-8|publisher=YouTube}}</ref> The optical disc format also let the team use streaming playback for the first time, which allowed the use of real musical instruments for music tracks. The final soundtrack ended up using a mix of real music recordings and synthesized instruments, though Sakurai assured that the differences would be nearly unnoticable. These tracks are an inspiration for the founding of the ''{{iw|wikipedia|Press Start: Symphony of Games}}'' concert series, which was an annual orchestral concert hosted by game industry veterans that featured arrangements of video game music that ran from 2006 to 2015.<ref name="youtube"/>


The game was one of the first games released on the GameCube and highlighted the advancement in graphics from the [[Nintendo 64]]. The developers wanted to pay homage to the debut of the GameCube by making an opening FMV sequence that would attract people's attention to the graphics.<ref>{{cite web|url=http://cube.ign.com/articles/097/097950p1.html|title=Smash Bros. FMV Explained|publisher=IGN|accessdate=2007-11-24|date=2001-08-31}}</ref> HAL worked with three separate graphic houses in Tokyo to make the opening sequence, with Sakurai personally storyboarding the intro instead of spending the New Year with his family.<ref name="youtube"/> On their official website, the developers posted screenshots and information highlighting and explaining the attention to physics and detail in the game, with references to changes from its predecessor.<ref>{{cite web|url=http://cube.ign.com/articles/098/098158p1.html|title=A Detailed Melee|publisher=IGN|accessdate=2007-11-24|date=2001-09-07}}</ref> The game was in development for 13 months, and Sakurai called his lifestyle during this period "destructive" with no holidays and short weekends.<ref name=sharpest>{{cite web|last=George|first=Richard|title=Super Smash Bros Creator: "Melee The Sharpest"|url=http://uk.ign.com/articles/2010/12/09/super-smash-bros-creator-melee-the-sharpest|publisher=IGN}}</ref> Unlike the experimental first ''[[Super Smash Bros.]]'', he felt great pressure to deliver a quality sequel, claiming it was the "biggest project I had ever led up to that point". Despite the painful development cycle, Sakurai proudly called it "the sharpest game in the series... it just felt really good to play", even compared to its successor, ''[[Super Smash Bros. Brawl]]''.<ref name="sharpest"/> Sakurai also felt pressured to make the game as content-rich as possible to help it stand out from both other games at the time and its predecessor. [[Trophies]] were born out of this desire for content. Since the team was only able to make a limited amount of playable characters, trophies acted as representation for characters and franchises that did not make the cut otherwise as fanservice and a history lesson with background information attached to each trophy<ref name="youtube"/>
The game was one of the first games released on the GameCube and highlighted the advancement in graphics from the [[Nintendo 64]]. The developers wanted to pay homage to the debut of the GameCube by making an opening FMV sequence that would attract people's attention to the graphics.<ref>{{cite web|url=http://cube.ign.com/articles/097/097950p1.html|title=Smash Bros. FMV Explained|publisher=IGN|accessdate=2007-11-24|date=2001-08-31}}</ref> HAL worked with three separate graphic houses in Tokyo to make the opening sequence, with Sakurai personally storyboarding the intro instead of spending the New Year with his family.<ref name="youtube"/> On their official website, the developers posted screenshots and information highlighting and explaining the attention to physics and detail in the game, with references to changes from its predecessor.<ref>{{cite web|url=http://cube.ign.com/articles/098/098158p1.html|title=A Detailed Melee|publisher=IGN|accessdate=2007-11-24|date=2001-09-07}}</ref> The game was in development for 13 months, and Sakurai called his lifestyle during this period "destructive" with no holidays and short weekends.<ref name=sharpest>{{cite web|last=George|first=Richard|title=Super Smash Bros Creator: "Melee The Sharpest"|url=http://uk.ign.com/articles/2010/12/09/super-smash-bros-creator-melee-the-sharpest|publisher=IGN}}</ref> Unlike the experimental first ''[[Super Smash Bros.]]'', he felt great pressure to deliver a quality sequel, claiming it was the "biggest project I had ever led up to that point". Despite the painful development cycle, Sakurai proudly called it "the sharpest game in the series... it just felt really good to play", even compared to its successor, ''[[Super Smash Bros. Brawl]]''.<ref name="sharpest"/> Sakurai also felt pressured to make the game as content-rich as possible to help it stand out from both other games at the time and its predecessor. [[Trophies]] were born out of this desire for content. Since the team was only able to make a limited amount of playable characters, trophies acted as representation for characters and franchises that did not make the cut otherwise as fanservice and a history lesson with background information attached to each trophy<ref name="youtube"/>