Editing Roy (SSBM)

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Roy also boasts high power in most of his ground-based attacks. Roy's forward smash, like Marth's, has quick startup and covers a large range; this is his primary KO move, and most of Roy's combos will end with a sweetspotted forward smash to send opponents off-stage. Its greater power up close can also punish overzealous opponents who carelessly step into Roy's threat zone, allowing for reversal situations. His other two smash attacks are more situational, but both his down and up smashes are strong when landed; the latter even has multi-hit properties and can [[spike]] when struck at the tip, although this is very situational. Roy's specials are also quite strong as well; [[Flare Blade]] is a decent edgeguarding tactic and has huge knockback nearing [[one-hit KO]] thresholds when fully charged, [[Double-Edge Dance]] can serve as a backup neutral poke with strong third and fourth hits, and [[Counter]] can be used as a devastating surprise option, turning the tables against single, strong hits when the opponent least expects it. Counter can also intercept linear recoveries, and because it scales based on move power, it will almost assuredly KO most recovering opponents if landed, unlike Marth's Counter, which often simply resets the situation.
Roy also boasts high power in most of his ground-based attacks. Roy's forward smash, like Marth's, has quick startup and covers a large range; this is his primary KO move, and most of Roy's combos will end with a sweetspotted forward smash to send opponents off-stage. Its greater power up close can also punish overzealous opponents who carelessly step into Roy's threat zone, allowing for reversal situations. His other two smash attacks are more situational, but both his down and up smashes are strong when landed; the latter even has multi-hit properties and can [[spike]] when struck at the tip, although this is very situational. Roy's specials are also quite strong as well; [[Flare Blade]] is a decent edgeguarding tactic and has huge knockback nearing [[one-hit KO]] thresholds when fully charged, [[Double-Edge Dance]] can serve as a backup neutral poke with strong third and fourth hits, and [[Counter]] can be used as a devastating surprise option, turning the tables against single, strong hits when the opponent least expects it. Counter can also intercept linear recoveries, and because it scales based on move power, it will almost assuredly KO most recovering opponents if landed, unlike Marth's Counter, which often simply resets the situation.


However, Roy's primary flaw is the [[sweetspot]] placement of his moves. While it may seem that Roy has great reach on paper due to his disjointed hitbox offered by the [[Binding Blade]], this is all merely an illusion in practice. Unlike Marth, who can safely attack opponents from a distance, Roy must still go into close proximity with the opponent to deliver strong damage and knockback, as the sweetspot on his sword is closer to the hilt rather than at the tip. While attacks can become incredibly powerful at this close of a range, this causes Roy to become very vulnerable, especially against characters with powerful close-range threats. This would not be as much of a problem if Roy's sourspots had utility in setting up KOs or extending combos, but many of them do not, greatly exacerbating this weakness. While Marth's weakest sourspots actually complement his game plan, using his weaker hitboxes to precisely set up for his stronger ones, Roy's sourspots do almost nothing to the opponent in terms of knockback or damage.
However, Roy's primary flaw is the [[sweetspot]] placement of his moves. While it may seem that Roy has great reach on paper due to his disjointed hitbox offered by the [[List of swords#Binding Blade|Binding Blade]], this is all merely an illusion in practice. Unlike Marth, who can safely attack opponents from a distance, Roy must still go into close proximity with the opponent to deliver strong damage and knockback, as the sweetspot on his sword is closer to the hilt rather than at the tip. While attacks can become incredibly powerful at this close of a range, this causes Roy to become very vulnerable, especially against characters with powerful close-range threats. This would not be as much of a problem if Roy's sourspots had utility in setting up KOs or extending combos, but many of them do not, greatly exacerbating this weakness. While Marth's weakest sourspots actually complement his game plan, using his weaker hitboxes to precisely set up for his stronger ones, Roy's sourspots do almost nothing to the opponent in terms of knockback or damage.


As a result of this very close sweetspot, Roy himself lacks a particularly reliable KO move. With the exception of his forward smash, his down smash, and the later hits of his Double Edge Dance, Roy has few options to quickly KO, and even these attacks need to connect in close ranges in order for them to have any reasonable KOing power. Further compounding Roy's problems with KOing are his aerials; even when sweetspotted, none of these aerials can reliably KO under 200%, they require good setups in order to properly connect, and none of them can easily inflict damage in the first place. Roy also lacks any quick KO options. While he may have two meteor smashes (the third hit of his upward Double-Edge Dance and his down air) and one spike (tippered up smash), all three are highly situational, requiring particularly lucky or skilled setups in order to properly connect. Coupled with poor offstage options as a result of high-lag aerials that are all of high risk off the edge and a poor recovery, Roy is almost completely dependent on attempting to rack up damage with brief combo strings, culminating in a reliance on hard reads and unforced errors by the opponent to garner KOs.
As a result of this very close sweetspot, Roy himself lacks a particularly reliable KO move. With the exception of his forward smash, his down smash, and the later hits of his Double Edge Dance, Roy has few options to quickly KO, and even these attacks need to connect in close ranges in order for them to have any reasonable KOing power. Further compounding Roy's problems with KOing are his aerials; even when sweetspotted, none of these aerials can reliably KO under 200%, they require good setups in order to properly connect, and none of them can easily inflict damage in the first place. Roy also lacks any quick KO options. While he may have two meteor smashes (the third hit of his upward Double-Edge Dance and his down air) and one spike (tippered up smash), all three are highly situational, requiring particularly lucky or skilled setups in order to properly connect. Coupled with poor offstage options as a result of high-lag aerials that are all of high risk off the edge and a poor recovery, Roy is almost completely dependent on attempting to rack up damage with brief combo strings, culminating in a reliance on hard reads and unforced errors by the opponent to garner KOs.

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